Celebrating 100 years of De Stijl

Composition en rouge, jaune, bleu et noir by Mondrian via Wikimedia Commons

It is exactly 100 years since the first issue of De Stijl magazine was published in October 1917. This is commonly regarded as the starting point for the influential artistic movement of the same name, chiefly associated with the artist Piet Mondrian and abstract geometric paintings using primary colours. The anniversary has been marked throughout the year by exhibitions in several locations around the Netherlands (see here for more details) along with the publication of new books on the movement and related artists. This is a good time for us to consider relevant books that we have and to highlight recent new acquisitions. Continue reading

The feat of the Real Academia Española’s first dictionary (part 2)

The dictionary lacked a general method and workflows were divided among the authors by combinations of letters. They took for granted that every academic was equally qualified, worked at the same speed, and was following the same criteria as the rest of the team – criteria which, incidentally, were not precisely established from the start. For instance, not all authors were using the same edition of a given work to find the quotes from authorities, so knowing the folio or page number is not particularly useful. The original intentions were too ambitious and some cuts in the plan were required. There was no room for adding the vocabulary of the arts and sciences. This task was postponed, with plans for an eventual separate dictionary dedicated to that vocabulary; a project never undertaken. Continue reading

The feat of the Real Academia Española’s first dictionary (part 1)

The Diccionario de la lengua castellana (1726-1739), later known as Diccionario de autoridades, was the first modern Spanish lexicographical work. The Real Academia Española (RAE) was founded in 1713 under the royal auspices and the first generation of academics decided to record the Spanish vocabulary following the example of the language academies in Paris and Florence. They considered that the Spanish language had achieved its zenith in the 17th century, so it was time to preserve it for future generations. This was a huge challenge, considering that the only Spanish precedent, the Tesoro de la lengua castellana, o española (1611) by Sebastián de Covarrubias, one of the first monolingual dictionaries in a vernacular language, was around one hundred years old. They did their job altruistically, “for the honour of serving the Nation”. The founder and first director, Juan Manuel Fernández Pacheco, Marquis of Villena and Duke of Escalona was an inspiring figure and played a major role in the institution. The purpose of the academy was reflected in its motto “Limpia, fija y da esplendor” ([It] cleans, [it] fixes, and [it] gives splendour). Continue reading

Frantsysk Skaryna and 500 years of Belarusian printing : the September 2017 Slavonic item(s) of the month

Earlier this month, the National Library of Belarus (NLB) held a conference to celebrate the history of Belarusian printing, marking the 500th anniversary of Frantsysk Skaryna’s publication of the Psalter – one of many Belarusian initiatives to celebrate Skaryna’s legacy.  Both the UL and Trinity College have contributed to another of NLB’s projects, to draw together as comprehensive as possible a database of scanned copies of all original Skaryna material.  Cambridge has provided digital copies of:

  • a fragment of Skaryna’s 1518 First Book of Kings (1 Samuel); exactly the same fragment is held by both Trinity and the UL (the latter at F151.c.7.10)
  • Skaryna’s 1522 Malaia podorozhnaia knizhitsa (Small travel book) Psalter (UL: F152.e.14.1)

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Lyon dans les chaînes, or how to illustrate suffering beautifully

Lyon_chaines_plate4

Liberation.a.60

Lyon dans les chaînes (Liberation.a.60) is a wonderfully illustrated account of the occupation and liberation of the city of Lyon by journalist Pierre Scize. This large volume, held at Cambridge University Library as part of the Chadwyck-Healey Liberation Collection, has an extensive number of coloured lithographs “printed under the surveillance of the artist”, Julien Pavil. The 625 copies of the work were produced between 15 December 1944 and 29 June 1945, which tells us a great deal about the effort and dedication the French were willing to put into book publishing after the Liberation. Continue reading