Cambridge catalogues and librarians get a critical reception

The adventures of Baron Münchhausen, the German nobleman who had the habit of grossly exaggerating his experiences, have been reprinted many times and translated into a wide range of languages. Stories such as that of the stag which the Baron shot with a cherry-stone, and which he afterwards found with a cherry-tree growing out of its forehead, although originally written for adults, have found lasting popularity in revised versions for children.

Rudolf Erich Raspe (Image taken from Wikimedia Commons)

Rudolf Erich Raspe (Image taken from Wikimedia Commons)

Less well known is the collection’s original compiler, Rudolf Erich Raspe. Raspe had been librarian at Kassel from 1767 to 1775, where he had been in charge of the Landgrave’s collection of antique gems and medals. He had to leave Hesse in great haste when he was detected removing and selling valuable items from the collection, and he spent the last nineteen years of his life in England. Continue reading

The Czech twentieth century in new donations : the February 2015 Slavonic item(s) of the month

Front cover of Venkov v českém filmu 1945-1969 (The countryside in Czech film 1945-1969; C203.d.9215)

While the University Library no longer actively buys Czech-language material, it has since 2012 been the very fortunate recipient of donations from the library of the Ústav pro Studium Totalitních Režimů (Institute for the Study of Totalitarian Regimes) in Prague.  Most address 20th-century Czech history and all are valuable additions to our collections.

The focus of the Library’s Slavonic acquisitions budget is of necessity on material produced in languages currently taught in the University – Russian, Ukrainian, and Polish.  In the past, two other East European languages in particular were well catered for; these were Hungarian (we have over 8,000 Hungarian items in the Library) and Czech (over 15,000).  When these languages ceased to be taught in the University, the Library also wound down active collection in them.  East European material in languages other than Russian, Ukrainian, and Polish, then, is normally received nowadays only through donations.  As with all such languages, we are very glad of material which looks at the history or culture of the country in question.

In terms of Czech, we have been very fortunate to become the regular recipients of donations from the Ján Langoš Library of the Ústav pro Studium Totalitních Režimů (USTR; Institute for the Study of Totalitarian Regimes) in Prague.  Since 2012, we have very generously been sent several dozen items.  The research section of the USTR focuses on the “examination and impartial evaluation” (quotation from their website) of the Czech experience of fascism and Communism, and most publications received by Cambridge concern this area.  Almost all feature lengthy bibliographies, and every item is a welcome addition to the catalogue. Continue reading

New Italian-language ebook collections available on Torrossa

Originally posted on ebooks@cambridge:

Cambridge University Library is pleased to announce that following the purchase last year of three ebooks packages of Italian-language titles on Casalini Libri’s Torrossa ebooks platform, we have this year supplemented these packages and added the 2015 content. The three collections of scholarly titles: Language and Literature, Cinema and Theatre, and Cultural Studies, have had a total of 153 new titles added. In total there are now 266 ebooks available in full-text from the platform link here and they are also searchable in the LibrarySearch catalogue.

Full-text access is available both on and off campus (using a Raven login). This includes the facility to download, print and copy and paste from the text. Torrossa ebooks can be read on PCs, Apple Macs, laptops, iOS and Android mobile devices, but not on Kindles, Kobos or Nooks.

Please do send your feedback on these packages and the usability of these ebooks by…

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Cartoneros

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Colourful Eloisa Cartonera’s books at a stall at the “Noche de las Librerías”, 2011. (Image taken from Wikimedia Commons)

When in 2001 Argentina went bankrupt, thousands of families lost everything, or almost everything. Many had to find new ways of survival and many joined the cartoneros force, the street cardboard pickers who, after long hours of walk around the city with their carts, would sell what they had collected to be recycled. In these times of crisis, the country also saw the rise of diverse forms of cooperativism and solidarity within communities (such as barter groups, communitarian urban allotments or the collective running of closed factories).

In this context, two writers and an artist in Buenos Aires (Washington Cucurto, Fernanda Laguna and Javier Barilaro), who would normally self-produce and self-publish their work but couldn’t do so anymore because of the highly increased price of paper, created in 2003 an independent non-lucrative cooperative publishing house: Eloisa Cartonera. Continue reading

German humour – myth and reality

Are Germans funny? This question arose in our department recently when a book about German humour crossed my desk. Being German and therefore naturally taking our humour quite seriously, the holdings of the UL dealing with this phenomenon seemed worthwhile investigating – especially with the so called “fifth season” (also known as Karneval or Fasching) in Germany currently at its peak (during Mardi Gras). Contrary to popular belief, it seems that humour is in fact quite important and deeply rooted in German culture. However, German humour is vastly different from British, even though both forms often rely on puns (but, due to linguistic differences, German puns are constructed in a way that makes it often impossible to translate without losing their wit). In Germany, political humour, satire and caricatures are also widespread, and comedy shows and programmes regularly feature on TV. It is therefore no surprise that the UL holds several books dealing with humour in a German context (such as caricatures, satire and the phenomenon of carnival during Germany’s turbulent history).

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An example of a cartoon by Loriot with full transcript, featured in Loriot (9000.a.4516)

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Makeshift modernity : DIY, craft and the virtuous homemaker in new Soviet housing of the 1960s

partment block in Moscow, with the pre-made panels clearly visible.  From Sovetskaia arkhitektura shestidesiatykh godov (page 41; CCB.54.189)

Floor plans for one-room flats in a 1965 block in Minsk. From Sovetskaia arkhitektura shestidesiatykh godov (page 52; CCB.54.189)

The second CamCREES seminar of the term saw Professor Susan Reid of Sheffield University talk about the Soviet building boom of the Khrushchev era and the role of personal improvisation by residents.  Using real-life examples, Professor Reid explored the complex relationship between the state programme and the craft employed by inhabitants through choice or necessity.

The late 1950s and 1960s saw millions of Soviet citizens move into new housing.  Construction was undertaken on a huge scale made possible by partial pre-fabrication.  Visitors to the former Soviet Union will doubtless have seen panelled khrushchevki, the nickname for the blocks of flats introduced under Khrushev.  Pre-made concrete panels allowed the houses to rise quickly but, as Professor Reid explained, true modern efficiency was not always achieved.  Interviews conducted through the speaker’s ‘Everyday aesthetics in the modern Soviet flat’ research project in the 2000s with Soviet novosely (inhabitants of new-builds) showed that the official building work itself frequently depended on the practical input of future residents themselves, and that internal work was often unfinished, with residents left to complete installation themselves.  Nevertheless, the interviewees almost all recalled the genuine excitement with which they took possession; for most, they were moving into their own flat for the first time. Continue reading

Love is all around

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A page from L’art d’aimer de la séduction à la volupté (S950.a.201.1093)

Saint Valentine’s Day, or the feast of Valentine, has its origins in the celebration of the life of Saint Valentine (Valentinius), a third century Roman saint. The feast day (February 14) is now, of course, related to the tradition of courtly love which has its origins in the middle ages. The history of Saint Valentine is uncertain, among the UL’s earliest works including a history of Saint Valentine is: Opus eruditissimum diui Irenaei episcopi lugdunensis in quinque libros digestum, in quibus mire retegit & confutat ueterum haereseon impias ac portentosas opiniones, ex uetustissimorum codicum collatione quantum licuit emendatum opera Des. Erasmi Roterodami, ac nunc eiusdem opera denuo recognitum, correctis ijs quae prius suffugerant (3.10.29).

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