On the 75th anniversary of the Liberation of Paris, we would like to talk about Images de notre délivrance (Liberation.a.7), published in December 1944 by the Editions du Pavois (the publisher in 1946 of L’Univers concentrationnaire by David Rousset, which was awarded the Renaudot prize, Liberation.c.119 and Liberation.c.918). The book, clearly of a bibliophile nature, is presented by the editor as a documentary, the result of an accidental collaboration between a writer, Georges Duhamel (1884-1966), and an artist, Claude Lepape (1913-1994), both reacting to a unique historical event:
Ce livre est un document. Il est né de la rencontre fortuite de deux sensibilités. L’Ecrivain et le Dessinateur ne se sont pas concertés, mais leurs réactions, si diverses et en même temps si proches, constituent l’un des documents les plus émouvants sur les glorieuses journées de la libération.
Children proudly showing their work
On Thursday 1st of August the University Library opened its doors to an enthusiastic bunch of children aged 7-13 invited to create their own books at the Cardboard publishing in the courtyard event, part of the Summer at the Museums series.
The morning and afternoon workshops in the North Courtyard were led by Dr Lucy Bell and Dr Partrick O’Hare, researchers from the Cartonera Publishing project (cartón meaning cardboard in Spanish), of which Cambridge University Library, the British Library and Senate House Library are partners. Continue reading
Bakaloff Amy, Sombre est noir, orné d’une gravure à l’eau-forte et de deux dessins de Domínguez. Paris, 1945. Liberation.b.356
One of the last books acquired through the Liberation collection is Amy Bakaloff’s Sombre est noir (Liberation.b.356), a collection of French poetry written during the Second World War and dedicated to Paul Éluard and Georges Hugnet, a writer and publisher engaged in the Résistance. It includes an engraving signed by Óscar Domínguez and two drawings. It is a rare work, one of 232 copies, some numbered on Annam paper, some on blue vellum, and some on vélin des Marais. Continue reading
Last week, I decided to tackle a set about major exhibitions and exhibition spaces in Moscow which had been in the Slavonic cataloguing backlog for some time. How hard a cataloguing challenge could it be? 4 volumes, 6 accompanying discs, 3 accompanying sheets, and 1 accompanying commemorative coin later, I can confirm that the answer was – very.
The coin, front and back.
Cambridge’s copy of VSKhV–VDNKh–VVT︠S︡ is, according to Library Hub (the very new replacement for COPAC), the only one held in the country, which is unsurprising given that it was published in a small run not for general sale. The set was produced to celebrate the 70th anniversary of Moscow’s extraordinary exhibition complex, in 2009, although the UL was only able to obtain a copy years later.
200 years ago, on December 30, 1819, Theodor Fontane, one of the best-known 19th century German authors, was born. He grew up in Neuruppin, a small town in the Mark Brandenburg north of Berlin. He trained and worked as a pharmacist before embarking on a literary career, starting as a journalist before becoming one of the most prolific novelists of the 19th century.
Portrait by Carl Breitbach via Wikimedia Commons
The 200th anniversary of his birth is being celebrated throughout this year with numerous exhibitions and events in the Brandenburg region (more details here). The main exhibition is being held in Neuruppin from March 30 to December 30 and aims to give an insight into Fontane’s authorial practice. This exhibition is accompanied by a catalogue which the library has acquired (C202.b.3557). Continue reading