From Frauentag! Erfindung und Karriere einer Tradition
To commemorate International Women’s day today, and to follow up on the huge success of the University Library’s exhibition featuring women’s suffrage posters, in this blogpost we are going to showcase two diverse items that deal with the visual representation of women, their freedom, rights and role in society.
Frauentag! Erfindung und Karriere einer Tradition (C212.c.8465) was published in 2011 to accompany an exhibition entitled Feste. Kämpfe. 100 Jahre Frauentag, held at the Österreichisches Museum für Volkskunde. The exhibition marked 100 years since the first International Women’s Day was observed in 1911, when in Vienna women marched on the Ringstrasse, carrying banners. The exhibition (and book) focused in particular on the history of the women’s movement in Austria and included a whole section on the variety of posters relating to International Women’s Day. Continue reading
Anyone interested in typography and book design will want to visit Ditchling Museum of Art + Craft in East Sussex this spring to see the exhibition devoted to the delightful work of Elizabeth Friedlander (1903-1985).
Born Elisabeth Friedländer (she anglicized her name on settling in Great Britain) into an affluent Jewish family, she studied typography and calligraphy under the renowned typographer Emil Rudolf Weiss. After completing her studies, she worked for the German fashion magazine Die Dame where she was responsible for designing headings and layouts. Her work came to the attention of the Bauer Type Foundry, one of the leading type foundries at the time, well known for commissioning and issuing modern and attractive typefaces (for example Futura by Paul Renner and Weiss Antiqua by Emil Rudolf Weiss). The foundry commissioned Elizabeth Friedlander to design a typeface. She finished the design in 1937 and the types were in production by 1938. “Elisabeth”, as the typeface became known as, is an elegant font, which cannot hide the influence of Emil Rudolf Weiss.
Promotional material issued by the Bauer Type Foundry (Morison.86.811)
The University Library has recently acquired the catalogue published on the occasion of the exhibition A.R. Penck, Rites de passage (S950.a.201.5701) which was held at the Fondation Maeght, Saint-Paul de Vence near Nice from March 18 to June 18, 2017. Penck was one of the greatest German artists of the late 20th century along with Georg Baselitz, Markus Lüpertz, Sigmar Polke and Jörg Immendorff. The focus of the exhibition was on the challenges of his painting and sculpture through different periods, each chosen to give a better understanding of the richness of his aesthetic, existential, philosophical and literary worlds. The exhibition presented around one hundred paintings, sculptures, large sets of drawings, prints and artists’ books. Continue reading
Portrait of Winckelmann by Angelica Kauffmann via Wikimedia Commons
This December marks the 300th anniversary of the birth of Johann Joachim Winckelmann, one of the most important scholars of his age. He was the founder of modern art history and archaeology and a pioneer of German classicism.
Winckelmann, who was born into humble origins as the son of a shoemaker, spent the first three decades of his life in the German provinces before coming to Dresden. At the age of 38, he moved to Rome where he became one of the most sought-after city guides and associated with noblemen from all over Europe. He established a wide network of correspondents from Italy, France, England and other countries. It is unlikely that the international reception of Winckelmann’s work would have been so far-reaching without this European network. Winckelmann is unquestionably one of the most prominent, and perhaps even one of the first German-speaking, writers of the modern period, who was read and received with great attention throughout Europe. Continue reading