Researchers of the life and work of Max Aub (Paris, 1903- Mexico City, 1972) will be pleased to hear about a recent donation from the family of Aub’s daughter María Luísa, affectionately called Mimin by family and friends. Continue reading
In 2017, Cambridge University Library became a partner in the two-year AHRC project “Cartonera Publishing : Relations, Meaning and Community in Movement.” The Library then agreed to build a collection of 200 items from cardboard publishers (editoriales cartoneras), with a focus on Mexico, Brazil and Argentina. Continue reading
This is a guest post by Jordana Blejmar (University of Liverpool) and Joanna Page (University of Cambridge).
Sara Gallardo was born in Buenos Aires in 1931 to an aristocratic Catholic family, with illustrious antecedents such as General Bartolomé Mitre, the writer Miguel Cané, the politician and biologist Ángel Gallardo, all key figures in the constitution of the Argentine nation. Her striking and eclectic fiction has been recently ‘rediscovered’, and the University Library has acquired many of her most important works (see here).
Gallardo travelled extensively in Latin America, Europe and Asia, published five novels, one book of short stories, several chronicles and four books for children. Her love for literature started in childhood. She was constantly ill and spent several days in bed reading books that would later influence her writing, including adventure stories, animal fables and classic works by Walter Scott, Rudyard Kipling and others. In 1950 she became a journalist; in 1958, she published her first novel, Enero (UL classmark: 2016.7.388), the story of a humble maid working on an estancia (a ranch), who falls pregnant following a rape and considers having an abortion. Gallardo presents a portrait of the relationship between patrones and employees without sentimentalism or a patronising gaze, and deals sensitively with issues of prejudice and guilt. Continue reading
Carnival traditions in Latin America are immensely rich. For millions of people, February is linked to heat, music, water fights and a feast of colours. From Oruro’s celebrations in Bolivia to the most internationally renowned parades of Rio de Janeiro, their counterpart in Montevideo (Uruguay) is just as compelling and certainly more enduring, lasting for 40 days. Montevideo’s carnival not only traditionally allows for a general reversal of everyday norms, but also brings together the very diverse pot of cultures that shape Uruguayan society (see: El carnaval de Montevideo: folklore, historia, sociología, classmark: UR.18, at the Seeley Library’s Latin American studies collection; and at the University Library: Identidad y globalización en el carnaval, at 676:85.c.200.83). Continue reading