The new Martin Stone collection of French illustrated poetry, 19th-20th centuries at Cambridge

Cambridge University Library has just acquired a collection of about 230 French illustrated poetry books ranging from 1841 to 1970 and beyond. They were collected by Martin Stone, an English guitarist as well as rare books dealer and collector who passed away in 2016. The collection consists mainly of outstanding first editions, many of which printed on special paper and containing signatures and dedications by and to prominent figures of the Parisian art world (Cocteau, Apollinaire, Marie Laurencin etc.). It is very strong from a literary perspective, with major or lesser-known French and Belgian poets, ranging from Symbolist and Decadent writing to the 20th century Modernist avant-gardes, which reverberated across the globe.

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Poèmes de Jean Lorrain. Paris: Léon Grus, 1896. Sheet music. Composer Gabriel Pierné. Cover by Lucien Métivet.

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Contemporary artists’ books in the UL: the Diane française “Musée de Poche” donation

Following an event and book display organised by Jean Khalfa at Trinity College Wren Library on 15 October 2018, Cambridge University Library recently received a donation of about 40 artists’ books published in Nice by La Diane française between 2004 and 2018.

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Wifredo Lam and Aimé Césaire

An exhibition in Trinity College’s Wren Library which runs until 12 June 2018 celebrates the work of the Cuban artist Wifredo Lam, using items from the Wren’s extraordinary Kessler Collection of Artists’ Books.  In this blog post, we look at the University Library’s own holdings of Lam books and related material.

Fata morgana / André Breton ; illustrated by Wifredo Lam

The exhibition focuses on Wifredo Lam’s many collaborations with a wide variety of international artists and writers such as Aimé Césaire, Gherasim Luca, and René Char. The UL’s earliest holding of his work reflects this aspect of his career: a 1969 English translation of André Breton’s poem Fata morgana illustrated by Lam (1990.9.1800). This collaboration dates from the Cuban artist’s time in France from 1938 to 1941, when he met and worked with many of the Surrealists and other leading European writers and artists of the period. However, the artistic exchange between Wifredo Lam and contemporary European art and literature had already begun years before, when he first went to study in Madrid in 1923. We hold a number of titles in French, Spanish and English dealing completely or in part with this side of Lam’s life and work:

  • André Masson : de Marseille à l’exil américain (2016.9.657)
  • Lam et les poètes (S950.b.200.559)
  • Más allá de lo real maravilloso : el surrealismo y el Caribe (400:8.c.200.186)
  • Diálogo de las artes en las vanguardias hispánicas (C213.c.6463)
  • Wifredo Lam and the international avant-garde, 1923-1982 (405:6.b.200.8)
  • The colour of my dreams : the Surrealist revolution in art (S950.b.201.911)

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