Tintin had such a great success that he is even better known than his creator, Hergé. Born Georges Remi (1907-1983), Hergé was his pen name, based on his reversed initials, as pronounced in French. The only rival to Tintin’s fame in Franco-Belgian comics is Asterix, created by René Goscinny and Albert Uderzo in 1959. Tintin and Snowy (Milou, in French), his faithfull dog, share adventures with distinctive characters well known by every generation, such as: captain Haddock, detectives Thomson and Thompson (Dupond and Dupont) and Professor Calculus (Tournesol).
January 2017 marked the 88th anniversary of Tintin’s first story: Tintin au pays des Soviets (C200.a.4909). It was published in the children’s supplement of the Belgian conservative newspaper Le Vingtième Siècle, called Le Petit Vingtième. This anti-Bolshevik sketch was later considered by Hergé a “sin of his youth”. His knowledge of Russia was limited, and unlike his following stories, this book is almost plotless. The original was published in black and white and has been recently released for the first time in colour. In his second adventure, Tintin visits the Belgian Congo. On the one hand Tintin au Congo has been considered racist by some, because of its naïve portrait of native Congolese peoples; on the other hand, others think is shows a benevolently paternalist vision of colonialism. Despite the books’s old-fashioned vision –a result of the time it was written and Hergé’s ignorance about the Congo, which he recognised– the book was a great success. Interestingly P. Delisle wonders if Tintin au Congo is, in fact, antislavery literature. Continue reading