Remo Giatti’s prints in the Cambridge Diane française, “Musée de Poche” collection

Giatti’s original print for Le livre et sa matière (2018)

In an earlier blog post, I talked about the artist books donation of the Diane française publisher “Musée de Poche” collection to Cambridge University Library. One of the works I discovered in this series is that of Remo Giatti, an artist form Northern Italy who uses a variety of techniques (engraving, lithography, drawing and collage…), and whose prints often include elements in “relief”. His work featured on the cover of the catalogue (F201.a.4.1), accompanied in the numbered Cambridge copy by an original print. Giatti also contributed to four “Musée de Poche” books (three of them are double volumes containing up to eight prints).

Le plus beau poème du monde est un poème d’amour (2014) by the Italian poet Arturo Schwarz, translated into French by Raphael Monticelli and inspired by Lucretius is a tribute to the beloved woman and her body through the elements. In this context, Giatti’s first and last prints evoke the stains of biological elements enlarged through a microscope, and the cracks forming on an arid soil in shades of grey. In the central double print, a grey shape with lines, strokes and cracks, pops up dramatically towards the viewer. It is set on top of another print which acts as a colourful brown and green background for the other one, reusing patterns of bubbles, stains and lines, and creating a strange effect of alignment and perspective from the top to the bottom print.

Art books from across Europe donated by Professor Nigel Morgan

The generosity of Professor Nigel Morgan to the University Library has been written about before in our blog, in an April 2015 post.  Since then, Professor Morgan’s donations have continued to come in, and the collection only yesterday of the latest batch of treasures provides a good reason for giving an update.

Each book donated by Professor Morgan, Emeritus Honorary Professor of the History of Art in the University of Cambridge and Sandars Reader in 2013-2014, contains a heading in the catalogue record for him as the donor.  An advanced search in iDiscover which combines his authorised form (Morgan, Nigel J.) with the formula former owner and specifying the UL as the holding library brings up at the time of writing well over 900 results.  The latest donation contains nearly 100 volumes, so before long the results will number over 1,000.

Contemporary artists’ books in Cambridge UL: the Diane française “Musée de Poche” donation

Following an event and book display organised by Jean Khalfa at Trinity College Wren Library on 15 October 2018, Cambridge University Library recently received a donation of about 40 artists’ books published in Nice by La Diane française between 2004 and 2018.

Exit, pursued by a warehouse operative : Soviet drama and the Library Storage Facility

Inside the new Library Storage Facility

The Library Storage Facility (LSF), whose contents can be ordered to the Library but cannot be borrowed, was opened in June 2018.  By the end of 2019, the store’s astonishing 4,000,000-book capacity will be one third full.  We in Collections and Academic Liaison have started sending a few books there, and this blog post looks at the what, the why, and the how.

Mid-century Ukrainian book covers : the June 2018 Slavonic item(s) of the month

In the past few years, the University Library has been very fortunate in receiving the private libraries of two late British Ukrainians – Peter Yakimiuk and Teodor Kolassa.  Together, these donations have added hundreds of chiefly diaspora publications to the Library’s 20th-century Ukrainian collection.  This blog post celebrates a few of the many eye-catching book covers to be found amongst them.  All but the last of the six items detailed here were produced in Europe within a few years of the end of World War 2.  Please click on each image to see a larger version.