In November 2022, the annual Cambridge University Libraries Liberation Literature Lecture focused on Ukraine and was accompanied by a small exhibition of Ukrainian material from the UL, selected in part by local Ukrainians. The recording of Cambridge’s Dr Rory Finnin’s brilliant talk is now available on the UL YouTube channel, with Ukrainian subtitles, here: https://www.youtube.com/watch?v=5mwHgQjfkwI. This blog post provides the captions (in Ukrainian and English) for the accompanying pop-up display. Continue reading
The Liberation Literature Lecture, which has traditionally focused on France, will this focus on Ukraine. This post provides details about the talk and an accompanying exhibition which we warmly invite local Ukrainians to co-curate with us.
Cambridge University Library is holding until the end of May Samurai, History & Legend, a fascinating and beautiful exhibition of Japanese manuscripts and (illustrated) printed texts and images. Cambridge UL holds one of the most important historic Japanese book collections in the UK. Although Japan is not at the core of the University Library French language collections, and we are constrained by budget limitations, over the years we have collected many Francophone publications on different aspects of Japanese history and culture. Here is a glimpse of some of the titles we have acquired.Continue reading
As part of the Cambridge Festival 2022 programme, you can now book a place to attend a talk exploring the representations of French children during the Franco-Prussian War and the Paris Commune. It will take place on Thursday 31 March from 5 to 6 pm in the Milstein room. We will be using literary and visual material from a historical collection of caricatures that will be on display at Cambridge University Library from 10 March to 7 May 2022.
From September 1870 to May 1871, the siege of Paris by the Prussians was followed by a civil war which opposed the radical left-wing members of the Paris Commune to the more moderate Republicans leading the French government. The French military defeat, the hardships of life under prolonged sieges, and the political experiments of the Paris Commune –which ended in a massacre–, had a profound impact on the daily lives of Parisian people and especially children.
Their perspective is reflected in the works of writers such as Alphonse Daudet and Guy de Maupassant. In Paris, this fuelled the production of a flurry of caricatures which circulated widely, often disseminated by the illustrated press. They portray children as victims of the war as well as privileged witnesses of the historical events unfolding around them. If children are often used as beacons of hope, torchbearers for the progressive aims of the Commune, they are also invested with the ideology of revenge against the Germans…
This special event is hosted by Cambridge University Library, in partnership with the Faculty of Modern and Medieval Languages and Linguistics, and the Cambridge Alliance Française.
We are also delighted that a long awaited display of the Franco-Prussian caricatures, featuring, among others, Emperors Napoleon III and Wilhelm I, and Chancellor Otto von Bismarck, will take place from 10 March to 7 May 2022 in one of the Royal enclosures on the first floor of the University Library. Members of the University need to bring their blue card. External visitors can sign in and get a lanyard from the Reader Services Desk in the entrance hall, in order to come and see the small exhibition. If you cannot make it in person, here is a link to the virtual exhibition!
The Mémorial ACTe (Centre caribéen d’expressions et de mémoire de la Traite et de l’Esclavage) in Guadeloupe is hosting until December 2019 a jointly curated exhibition previously held at the Wallach Art Gallery at Columbia University in New York, Posing Modernity: The Black Model from Manet and Matisse to Today (October 2018 to February 2019, see C200.a.5469) and at the Musée d’Orsay in Paris, Le Modèle noir, de Géricault à Matisse (March to July 2019, see S950.b.201.5919). The Memorial to slavery, opened in 2015, which is also a cultural centre and museum, seems an appropriate venue for this exhibition, which focuses on “the representation of the black figure in the development of modern art”. Continue reading