The power of the image

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Officiolum di Francesco da Barberino (Tab.b.932-933)

The Tuscan poet and lawyer Francesco da Barberino(1264-1348) may not be as familiar today as his Florentine contemporaries Dante and Giotto, but he occupies a unique position at the intersection of poetry and painting in Italy at the dawn of the fourteenth century. He knew Dante – indeed the earliest reference to the still incomplete Divine Comedy is in one of Francesco’s works of c.1313. He also collaborated with Giotto, providing him with visual ideas for the Arena Chapel in Padua. Francesco’s cultural experience stretched beyond Italy: he travelled widely in France to the court of Philip the Fair in Paris and the papal curia in Avignon, acquiring a deep familiarity with Provencal poetry during five years of exile.

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