On the 75th anniversary of the Liberation of Paris, we would like to talk about Images de notre délivrance (Liberation.a.7), published in December 1944 by the Editions du Pavois (the publisher in 1946 of L’Univers concentrationnaire by David Rousset, which was awarded the Renaudot prize, Liberation.c.119 and Liberation.c.918). The book, clearly of a bibliophile nature, is presented by the editor as a documentary, the result of an accidental collaboration between a writer, Georges Duhamel (1884-1966), and an artist, Claude Lepape (1913-1994), both reacting to a unique historical event:
Ce livre est un document. Il est né de la rencontre fortuite de deux sensibilités. L’Ecrivain et le Dessinateur ne se sont pas concertés, mais leurs réactions, si diverses et en même temps si proches, constituent l’un des documents les plus émouvants sur les glorieuses journées de la libération.
Bakaloff Amy, Sombre est noir, orné d’une gravure à l’eau-forte et de deux dessins de Domínguez. Paris, 1945. Liberation.b.356
One of the last books acquired through the Liberation collection is Amy Bakaloff’s Sombre est noir (Liberation.b.356), a collection of French poetry written during the Second World War and dedicated to Paul Éluard and Georges Hugnet, a writer and publisher engaged in the Résistance. It includes an engraving signed by Óscar Domínguez and two drawings. It is a rare work, one of 232 copies, some numbered on Annam paper, some on blue vellum, and some on vélin des Marais. Continue reading
“Be realistic, ask the impossible” was one of the many slogans of the French unrest in May-June 1968. May last year was the 50th anniversary of the upheaval, which arouses mixed feelings in French society, depending on the political ideas of each individual. There was a debate in 2017 about Emmanuel Macron’s idea of celebrating May 68, when it had been an anti-governmental, non-institutionalised movement; it certainly led to many cultural events in 2018, including the BnF exhibition: The spirit(s) of May 68. Cambridge University Library purchased many of the publications on May 68 which came out around the time of the anniversary, including 1968 : de grands soirs en petits matins (C214.c.7787) and L’esprit de mai 68 (C205.d.9998). Here we highlight some of the books we have received in the past year or so. Continue reading
Cambridge University Library has just acquired a collection of about 230 French illustrated poetry books ranging from 1841 to 1970 and beyond. They were collected by Martin Stone, an English guitarist as well as rare books dealer and collector who passed away in 2016. The collection consists mainly of outstanding first editions, many of which printed on special paper and containing signatures and dedications by and to prominent figures of the Parisian art world (Cocteau, Apollinaire, Marie Laurencin etc.). It is very strong from a literary perspective, with major or lesser-known French and Belgian poets, ranging from Symbolist and Decadent writing to the 20th century Modernist avant-gardes, which reverberated across the globe.
Poèmes de Jean Lorrain. Paris: Léon Grus, 1896. Sheet music. Composer Gabriel Pierné. Cover by Lucien Métivet.
By Marcello Casal via Wikimedia Commons
Fred Vargas (pseudonym of Frédérique Audoin-Rouzeau) has recently been awarded the Princess of Asturias award in its literary category. Cambridge Professor of Classics, Mary Beard, received the corresponding award for Social sciences in 2016.
Although Fred Vargas is a historian and archaeologist, she is also known for being a successful crime novel writer. In fact, she started writing thrillers for fun, as an escape from her academic occupation. Her novelist career began with the publication of Les jeux de l’amour et de la mort (C205.d.7969) which won the Festival de Cognac novel prize. Continue reading