Originally posted on the Special Collections blog:
We are delighted to announce that the annual Liberation Literature Lecture, held in partnership with Clare Hall, will be delivered by award-winning author Anne Sebba.
Anne’s lecture is entitled “Parisian women and the Nazi occupation: uncovering their lives and their relationships” and is based on her compelling book, Les Parisiennes, published in 2016 (C213.c.2385). She conducted extensive research, including firsthand interviews with women who survived the war in Paris, to bring to light the unknown voices and stories of women of all ages, classes and nationalities.
Reviewing the book, novelist Edmund White commented,
This is a fascinating book I couldn’t stop reading. Anne Sebba knows everything about Paris during the War. She understands everything about the chic, loathsome collaborators and the Holocaust victims, and their stories are told in an irresistible narrative flood.
Madeleine Kingsley in the Jewish Chronicle called it a “tour de force of research and reflection”.
It promises to be an enthralling lecture on an important subject and will be accompanied by an exhibition of books drawn from the Chadwyck-Healey Liberation Collection 1944-1946. The event takes place in the Richard Eden suite at Clare Hall on Thursday 1 November 2018 at 18:00. The lecture, followed by a wine reception, is free and open to everyone but tickets must be reserved. Click here to book.
Everybody knows about Ruth Klüger or Primo Levi; Imre Kertész won the Nobel Prize in literature in 2002, and Elie Wiesel was awarded the Nobel Peace Prize in 1986. These authors are famous for their autobiographical texts about the Shoah, which they wrote after having survived the Nazi extermination camps. Their books are well known, they became part of the literary canon and have led to a lot of scholarly research.
The Chadwyck-Healey Liberation Collection in Cambridge University Library offers a promising addition to that field of research, because the collection keeps very similar, though much lesser known books. As the Liberation Collection focuses on books published between the Liberation of Paris in August 1944 and the end of 1946, the collection’s accounts of the Holocaust rank among the earliest testimonies of Nazi crimes, deportation and mass murder during the Second World War. These testimonies range from written accounts to documents and even paintings and illustrations. Even for research focused on books about the extermination camp of Auschwitz, the Liberation Collection offers a diversity of genre, tone, biographical background and emphasis.
This month, we were delighted to welcome our new French specialist, Dr Irène Fabry-Tehranchi. Irène will focus on current Francophone collection development but will also work with French special collections, chief among them the Chadwyck-Healey Liberation Collection. This post looks at the latest Liberation addition: a book signed by Tristan Tzara and Henri Matisse. Le signe de vie, which featured in Sir Charles Chadwyck Healey’s talk ‘The power of the image in liberated France, 1944-46’ earlier this year, was printed in Paris in 1946 and contains poems by Tzara with illustrations by Matisse.
Tirage description, with Tzara’s signature
Dedication to Kernn-Larsen from Tzara
Matisse’s signature; Tzara’s signature below the tirage description; dedication to Rita Kernn-Larsen by Tzara
Earlier this year, Sir Charles Chadwyck-Healey spoke about the visual side of the peerless Liberation Collection he has donated to the University Library. This post, however, focuses on an unillustrated book whose interest, certainly for me as a librarian, lies in the identity of the author.
An important part of cataloguing work in the Library is what we call authority work – adding or editing records for people for the master authority file hosted by the Library of Congress. Each record provides a unique main heading for an individual (eg Hugo, Victor, 1802-1885) and cites books where this and other forms of names appear. By using this unique heading in a catalogue record, all works by or about someone will file together in a library index even if the person’s name might appear differently in each separate book (eg V. Hugo).
Many of the books in the Liberation Collection need this authority work. More often than not, a new authority needs to be created. Sometimes the author has a record already but we need to update it to note a different form of the name. On the odd occasion, the book we are looking at is on such a different topic to those cited in the writer’s authority record that without further investigation we might assume that our author is someone different.
Originally posted on the Special Collections blog:
On Thursday 22nd February Sir Charles Chadwyck-Healey will give a talk to the Cambridge Bibliographical Society on ‘The power of the image in liberated France, 1944-46’.
His talk is inspired by imagery from the collection he has put together (recently presented to the University Library) on the German occupation of France during the war and its liberation by the allied forces. Beautiful books began to be published immediately after the liberation of Paris in August 1944 even though the war was still being fought in France. Once Paris was free and the Vichy government had collapsed, censorship came to an end, and it is the immediacy of this response and the quality of the books themselves that makes this period so interesting for the history of the book.
Talk starts at 17.00. Tea from 16.30 before the talk.
Free event, no booking required. Members and non-members of Cambridge Bibliographical Society welcome.
Milstein Seminar Rooms, Cambridge University Library
Thursday, 22 February, 2018
All welcome; booking not required
Victoire, numéro special (Paris, 1945)