Cambridge University Library subscribes to many large literary and historical databases: their sources are mainly in English, but they also contain foreign language material. Gale Primary Sources, which encompasses 26 thematic databases, contains lots of resources in French, as well as other languages. They can be accessed on your device anywhere within the University, and from home with the University of Cambridge VPN.
The database “Archives unbound” is particularly interesting for its primary historical material. It covers “topics” such as African Studies; British and European History; Business and Economic History; Cultural Studies; Gender, Sexuality, and Women’s Studies; Latin American and Caribbean Studies; Law, Politics, and Radical Studies; Middle Eastern Studies; Religious Studies, as well as many others. Continue reading →
Lucy Bell (Senior Lecturer in Spanish and translation studies, University of Surrey), Alexander Ungprateeb Flynn (Assistant Professor of Anthropology and Contemporary Art, UCLA) and Patrick O’Hare (UKRI Future Leaders Fellow, University of St. Andrews) have collaborated with the University Library in the building up of our cartonera collection . They will be presenting and discussing their new book, the first comprehensive study of cartonera, in conversation with David Lehmann (University of Cambridge) and Clara Panozzo (Latin American and Iberian Collections, Cambridge University Library). The book is published by the University of Texas Press and is available online for Cambridge users here.
Drawing on interdisciplinary research conducted across Mexico, Brazil, and Argentina, the authors show how this hands-on practice has fostered a politically engaged network of writers, artists, and readers. More than a social movement, cartonera uses texts, workshops, encounters, and exhibitions to foster community and engagement through open-ended forms that are at once creative and social.
In their article Latin American politics underground: Networks, rhizomes and resistance in cartonera publishing1, Lucy Bell and Patrick O’Hare (two of the researchers leading the two-year AHRC funded cartonera project ) use Deleuze’s, Guattari’s and (one of the Argentinian cartonera precursors) Javier Barilaro’s theories on rhizomes to explain the course by which, since their beginning in the early 2000s, cartonera publishing networks developed and multiplied (to around 250 currently) across Latin America, forming underground horizontal alliances in similarly fertile social and cultural soils.
Telling stories has long been a way for humans to make sense of life’s many events. Little more than a year has passed since the beginning of the first UK lockdown, and we already know that huge amounts have been published about the current pandemic, chiefly online and prominently in the sciences and social sciences. In this blog post we present some of the stories authors are telling about and around COVID-19.
In her book Viral Modernism: the Influenza Pandemic and interwar literature, Elizabeth Outka reveals that, even if the 1918-1919 pandemic ‘faded from historical and cultural memory […], [and was] overshadowed by World War One and the turmoil of the interwar period’, it in fact ‘shaped canonical works of fiction and poetry’, to the extent of framing modernism with its ‘hidden but widespread presence’.
The morning and afternoon workshops in the North Courtyard were led by Dr Lucy Bell and Dr Patrick O’Hare, researchers from the Cartonera Publishing project (cartón meaning cardboard in Spanish), of which Cambridge University Library, the British Library and Senate House Library are partners. Continue reading →