Children proudly showing their work
On Thursday 1st of August the University Library opened its doors to an enthusiastic bunch of children aged 7-13 invited to create their own books at the Cardboard publishing in the courtyard event, part of the Summer at the Museums series.
The morning and afternoon workshops in the North Courtyard were led by Dr Lucy Bell and Dr Partrick O’Hare, researchers from the Cartonera Publishing project (cartón meaning cardboard in Spanish), of which Cambridge University Library, the British Library and Senate House Library are partners. Continue reading
Colourful Eloisa Cartonera’s books at a stall at the “Noche de las Librerías”, 2011. (Image taken from Wikimedia Commons)
When in 2001 Argentina went bankrupt, thousands of families lost everything, or almost everything. Many had to find new ways of survival and many joined the cartoneros force, the street cardboard pickers who, after long hours of walk around the city with their carts, would sell what they had collected to be recycled. In these times of crisis, the country also saw the rise of diverse forms of cooperativism and solidarity within communities (such as barter groups, communitarian urban allotments or the collective running of closed factories).
In this context, two writers and an artist in Buenos Aires (Washington Cucurto, Fernanda Laguna and Javier Barilaro), who would normally self-produce and self-publish their work but couldn’t do so anymore because of the highly increased price of paper, created in 2003 an independent non-lucrative cooperative publishing house: Eloisa Cartonera. Continue reading
Saint Valentine’s Day, or the feast of Valentine, has its origins in the celebration of the life of Saint Valentine (Valentinius), a third century Roman saint. The feast day (February 14) is now, of course, related to the tradition of courtly love which has its origins in the middle ages. The history of Saint Valentine is uncertain, among the UL’s earliest works including a history of Saint Valentine is: Opus eruditissimum diui Irenaei episcopi lugdunensis in quinque libros digestum, in quibus mire retegit & confutat ueterum haereseon impias ac portentosas opiniones, ex uetustissimorum codicum collatione quantum licuit emendatum opera Des. Erasmi Roterodami, ac nunc eiusdem opera denuo recognitum, correctis ijs quae prius suffugerant (3.10.29).
On Friday 23 January the Chilean writer, artist and activist Pedro Lemebel died of cancer. One of the most important and provocative queer voices of Latin America, Lemebel’s anti-establishment writings and performances are landmark works. Diamela Eltit, Visiting Simón Bolívar Professor at the Centre of Latin American Studies, wrote this piece on him (published originally in Spanish in the Chilean magazine “The Clinic”) and has kindly agreed to its posting on our blog. To see a list of works by and on him held at the Library, please click here.
Pedro Lemebel (second from left) in conversation, 2011 (Image taken from Wikimedia Commons, click to enlarge).
It seems unreal writing about Pedro Lemebel, when only a few days have elapsed since his death. Perhaps it isn’t real, as in the world of the arts the notion of death remains ambiguous. This is precisely because, faced with absence, there remains the presence of an oeuvre that is very much still there – alive, available and ready to inhabit the varied presents of the future.
Las yeguas del apocalípsis (1987) signalled the founding of a collective (Pedro Lemebel and Francisco Casas) that would reveal the transvestite body as both the object and subject of critical intervention. Their performance art, staged in various ways, maintained a relationship with their predecessors, who had portrayed the homosexual body from an aesthetically challenging perspective. Continue reading