The Revolution exhibits
The final items have recently been added to the Revolution : The First Bolshevik Year online exhibition. I am extremely grateful to the students and librarians who provided many of the captions. Amongst the latest additions is a book which contains a written dedication by the White commander Petr Vrangel’ (commonly Wrangel) – a fascinating re-discovery.
from ‘Russkie v Gallipoli’
Глубокоуважаемому Николаю Николаевичу Шебеко – повесть о крестном пути тех, кто вынес на чужбину и верно хранит национальное русское знамя. Ген. Врангель
To the esteemed Nikolai Nikolaevich Shebeko – a tale about the via dolorosa of those who brought out to a foreign land and faithfully preserve the national Russian flag. Gen. Wrangel
Shebeko had served as a diplomat under the tsar and fought with the Whites. By the time this book, on the Russians in Gallipoli, had been published in Berlin in 1923, Shebeko had settled in France. Wrangel had led the southern White forces and remained a hugely significant figure in emigration. He eventually moved to Belgium, via Yugoslavia where he founded ROVS, the Russian All-Military Union which served to unite émigré officers and soldiers and which attracted a great deal of Soviet state interest. Soviet involvement was certainly suspected in Wrangel’s death in Belgium in 1928 at the age of 49.
Wrangel’s writing proved quite a challenge to decipher, certainly for me. Sincere thanks go to Richard Davies of the Leeds Russian Archive who provided a transcription with little apparent effort and much-appreciated speed.
A higher-resolution image of the dedication can be found here: https://exhibitions.lib.cam.ac.uk/revolutionthefirstbolshevikyear/artifacts/a-trace-of-wrangel/
In late 2017, we announced on this blog the start of Revolution : the First Bolshevik Year, a new online exhibition at the University Library tracking the dramatic events unfolding one hundred years ago. Since then, two new batches of items have been added. Most recently, six pieces have gone up which link to developments in December 1917 and January 1918 (this doubling up will cease with the next month’s batch, since the Soviet adoption of the Gregorian calendar took place in February 1918). Stamps, books, music, and a satirical cartoon, the new items relate to the formation of the Red Army and the increasing activity of the White movement, revolution and the arts, and the short-lived Constituent Assembly.
The Red Army
The Whites in Literature
Music and the Revolution
The Constituent Assembly
The preceding batch looked at the December 1917 armistice for the Eastern Front, the rapidly unravelling situation in Ukraine, and the introduction of revolutionary economy.
Ceasefire on the Eastern Front
Calm during the storm
The Ukrainian republics
The Sovznak Banknote
Full captions for all the items featured in this post can be found on the exhibition site.
Before long, the most exciting stage of work on the exhibition – the involvement of undergraduates as co-curators – is due to begin. A further report on progress will appear on this blog before long.
Futurizm i revoliutsiia (Futurism and revolution) by N. Gorlov; CCD.54.243
This week saw the launch of Revolution : the First Bolshevik Year, a year-long online exhibition which will grow on a monthly basis and will be co-curated with undergraduates. The first month’s exhibits are also on physical display to readers and the public in the Library’s Entrance Hall for today and tomorrow – Friday 1 and Saturday 2 December 2017.
This exhibition will look at the events of the October Revolution and the year that followed, using a wide range of material from the University Library’s collections to illustrate the dramatic 1917-1918 timeline. In future months, we will see students from various faculties and departments get involved in the project, giving them the chance to curate books and objects from the Library’s fascinating revolution-era collections.
The first month’s worth of exhibits consists of 11 items in 8 online groups, telling the story of the 27 October/7 November start of the revolution, with postcards of Moscow showing buildings altered by the fighting that took place and foreign accounts of the tumultuous events in Petrograd and beyond, before taking an initial look at the impact of the revolution on the arts. Regular readers of this blog will be unsurprised to hear that several of these first exhibits (and more of those to come) are from the Catherine Cooke collection. It is a pleasure to be able to look out items there and further afield in the Library for the exhibition, and I hope that students will feel similarly inspired as they handle this remarkable material. Monthly updates to the online exhibition will be flagged by further blog posts.
Excerpt from Dvenadtsat’ (The twelve) by Aleksandr Blok with illustrations by Iurii Annenkov; S756.a.91.1
This month, we look at a little ephemeral piece from the Catherine Cooke collection – a 1977 page-per-day calendar – soon to go on display online and in the Library’s entrance hall, and its entry for the 60th anniversary of the October Revolution.
1977 calendar; CCD.54.329.
When the Bolsheviks initiated their armed overthrow of the Provisional Government, in power since the February Revolution earlier that year, the date in Russia was 25 October 1917. Elsewhere in Europe, where the Gregorian calendar had long been in force, it was 7 November. The name of the October Revolution, however, as mentioned also in an earlier post, stuck in both East and West, even after the Gregorian calendar was adopted by the Soviets in 1918.
While the 25 October (the “Old Style” date for the revolution) entry in the 1977 calendar does make reference to the events of 1917, the chief entry for the revolution appears here on the page for 7 November (the “New Style” or Gregorian date).