A collection of Spanish broadsides bequeathed by E.M. Wilson

Some 160 Spanish broadsides (known as “aleluyas” in Spanish) have been recently added to the Cambridge Libraries catalogue. They were bequeathed to Cambridge University Library by Edward Meryon Wilson, former professor of Spanish at the University of Cambridge. The collection contains a complete run of one of the longest series of aleluyas ever printed in Spain: the Marés-Minuesa-Hernando series, consisting of 125 numbers. According to Jean-François Botrel [1], the printer Hernando would have acquired this collection from the printers Marés-Minuesa in 1886 and would have started reprinting it shortly afterwards.

These aleluyas can be consulted in the Rare Books Room (classmark F180.bb.8.1). They were printed by Librería Hernando and by Sucesores de Hernando, respectively (the founder and his descendants) between the end of the 19th century and the beginning of the 20th century (Librería Hernando was founded in 1828; Sucesores de Hernando took over in 1902).

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Ingenuity in the age of Cervantes: pop-up talk, Tuesday 21st February

Following the Fighting windmills virtual exhibition, a short in-focus talk will be given on Tuesday 21st February at 1pm entitled Ingenuity in the age of Cervantes. Come and join us for a compelling presentation by Dr Rodrigo Cacho  from MML and Dr José Ramón Marcaida from CRASHH (Library members only).

See poster below for more details.

pop-up-talk

Fighting windmills – new virtual exhibition on Don Quixote at the University Library

The virtual exhibition ‘Fighting windmills: the many interpretations of Don Quixote’ was launched yesterday to commemorate Miguel de Cervantes Saavedra’s 400th death anniversary. It features some rarely seen and beautifully illustrated material from a wide number of collections within the University Library, and its main aim is to highlight some of the ways in which Don Quixote has been appropriated by readers, artists and other writers throughout the centuries.
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Illustration by Walter Crane from ‘Don Quixote of the Mancha’; London: Blackie&Son, 1900 (Waddleton.c.9.615)

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Miguel de Cervantes Saavedra, 1547-1616

Cervates_jauregui

Attributed to Juan de Jáuregui y Aguilar (circa 1583 – 1641) [Public domain], via Wikimedia Commons. Although we are not sure this is actually Cervantes, many subsequent portraits were based on this one.

Four hundred years ago on this day Miguel de Cervantes Saavedra, the most influential writer in the Spanish language, died in Madrid. This blogpost gives a taste of the future online exhibition that will feature the rich variety of material held at the Library by, and related to, Cervantes. We hold multiple versions and interpretations of everything that he wrote, but of course most of it relates to his masterpiece, El ingenioso hidalgo don Quijote de la Mancha.

Little is known about the birth of Miguel de Cervantes Saavedra, but he was baptised in Alcalá de Henares on October 9, 1547. The first part of his life was adventurous, marked by travels around the Mediterranean and 5 years of captivity in the hands of Ottoman pirates before his return to Spain in 1580. There, he remained unsuccessful in his attempts at supporting himself through his writing (although he won first prize – three silver spoons – in a poetry competition in 1595). All would change with the publication of El ingenioso hidalgo Don Quixote de la Mancha. Continue reading

The secret lives of a poet: Olga Orozco

Browsing through our recently received Spanish books I came across the weird-looking cover of Yo, Claudia, a collection of articles published in the Argentinian monthly magazine Claudia, roughly between 1966 and 1970.

Yo, Claudia gathers a selection of letters and essays written by the poet Olga Orozco (1920-1999), who, during her life, undertook many jobs to

support her literary interests, from journalist to radio drama actress. Her work for Claudia, however, is particularly interesting. Claudia’s readership was interested in articles on fashion, entertainment, art, politics and literature, written by some of the most prominent intellectuals of the time. What originally was an asset eventually became a problem when in 1976 the publisher had to flee to Brazil, as it was accused by the Argentinian regime of supporting subversive journalists. Orozco’s collaboration was certainly valued, although, in order to please the publisher, she had to conceal her identity under eight different pseudonyms, each one for a different column. Continue reading