Manuel Puig and La traición de Rita Hayworth

2018 marks 50 years since La traición de Rita Hayworth, the debut novel by the Argentinian author Manuel Puig, was first published. Puig (1932–1990) is best-known outside the Spanish-speaking world for his fourth novel, 1976’s El beso de la mujer araña (Kiss of the Spider Woman) and its successful film, theatre and musical adaptations. However, his debut (Betrayed by Rita Hayworth in its English translation) remains his most directly personal novel, and introduces many of the themes and ideas that run throughout his work.


1st edition of La traición de Rita Hayworth, with a picture of the author on the cover

Most authors’ first novels represent, in some way, a culmination of their life up to that point, but this is particularly true of La traición de Rita Hayworth. In fact, the book is almost as purely autobiographical as a work of fiction can be.

The book’s setting, Coronel Vallejos is a thinly veiled version of Puig’s hometown General Villegas. Boquitas Pintadas (Heartbreak Tango), his second novel – and first big commercial success – is also set there. His mother Malé had moved to Villegas, a dusty pampas backwater in Buenos Aires Province, from the state capital of La Plata, and met and married Manuel’s father Baldo there. Both the physical landscape of Manuel’s childhood and the people around him were clearly mirrored in his early work. His parents, a somewhat ill-matched couple, are represented in La traición de Rita Hayworth by Berto, a typical small-town Argentinian macho with matinée idol looks, and Mita, an educated woman nostalgic for her more cosmopolitan hometown and enamored of cinema and the arts.

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The Cervantes prize, the most important Spanish literary award


Portrait of Miguel de Cervantes Saavedra (1547-1616) attributed to Juan de Jáuregui (via Wikipedia).

The Premio Miguel de Cervantes is the highest recognition that a Spanish-language writer can achieve. It is an acknowledgement of those whose work has notably enriched Spanish literary heritage. Thus, this prize recognises the career of an outstanding writer. It was created in 1975 in honour of the author of Don Quixote de la Mancha, the most universally known Spanish text and the first modern novel. This literary prize has been awarded annually by the Spanish Ministry of Culture since 1976.

Candidates are proposed by the Real Academia Española (founded in 1713) and all the National Academies of the Spanish language in the different Spanish speaking countries (23 in total). The jury is comprised of literary and academic authorities, in addition to the most recent awardees. Traditionally the prize is given one year to a Spanish author and the following to a Latin American, although this is not a rule. Continue reading

A collection of Spanish broadsides bequeathed by E.M. Wilson

Some 160 Spanish broadsides (known as “aleluyas” in Spanish) have been recently added to the Cambridge Libraries catalogue. They were bequeathed to Cambridge University Library by Edward Meryon Wilson, former professor of Spanish at the University of Cambridge. The collection contains a complete run of one of the longest series of aleluyas ever printed in Spain: the Marés-Minuesa-Hernando series, consisting of 125 numbers. According to Jean-François Botrel [1], the printer Hernando would have acquired this collection from the printers Marés-Minuesa in 1886 and would have started reprinting it shortly afterwards.

These aleluyas can be consulted in the Rare Books Room (classmark They were printed by Librería Hernando and by Sucesores de Hernando, respectively (the founder and his descendants) between the end of the 19th century and the beginning of the 20th century (Librería Hernando was founded in 1828; Sucesores de Hernando took over in 1902).

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Ingenuity in the age of Cervantes: pop-up talk, Tuesday 21st February

Following the Fighting windmills virtual exhibition, a short in-focus talk will be given on Tuesday 21st February at 1pm entitled Ingenuity in the age of Cervantes. Come and join us for a compelling presentation by Dr Rodrigo Cacho  from MML and Dr José Ramón Marcaida from CRASHH (Library members only).

See poster below for more details.


Fighting windmills – new virtual exhibition on Don Quixote at the University Library

The virtual exhibition ‘Fighting windmills: the many interpretations of Don Quixote’ was launched yesterday to commemorate Miguel de Cervantes Saavedra’s 400th death anniversary. It features some rarely seen and beautifully illustrated material from a wide number of collections within the University Library, and its main aim is to highlight some of the ways in which Don Quixote has been appropriated by readers, artists and other writers throughout the centuries.

Illustration by Walter Crane from ‘Don Quixote of the Mancha’; London: Blackie&Son, 1900 (Waddleton.c.9.615)

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